The 2011 TCM Classic Film Festival Returns to Hollywood April 28 – May 1, 2011.
Last year’s TCM Classic Film Festival was great! This year should prove to be just as much fun. The theme this year is ‘music and the movies’, kicking off with AN AMERICAN IN PARIS (1951). I would suggest buying a pass to the festival although I went without a pass last year and was able to purchase walk-up tickets. The walk-up tickets were sold just prior to the show at the box office. We had to wait for those with passes to enter first… I made sure to get in line early and only missed out on one movie that I really wanted to see because the theatre filled up. A pass doesn’t guarantee a seat either, but you stand a better chance of getting in if you arrive early.
Passes may be purchased from TCM’s website. Passes may also be purchased by phone at 877.TCM.5764 from 10am to 6pm ET business days.
There are four levels of passes:
The Matinee ($299)
Get thee to the theatre this season to see Alvin Ailey! This year marks the 50th Anniversary of “Revelations”, the company’s signature work. It is also Judith Jamison’s last season as Artistic Director. She has held the position since Alvin Ailey passed away in 1989 . I’m looking forward to the new piece, “Anointed” which has a duet set to the music of Moby’s “Grace”.
The New York City Center Season runs through January 2, 2011.
Check the Alvin Ailey Website for additional cities…
“The success of The Moth is one example of
the phenomenon of storytelling that is gaining momentum
nationwide. In The Moth’s case, these narrative
sessions are fast becoming an institution.”
– The New York Times
Have you heard of The Moth? Lots of fun!!! There are Moth Story Slams in New York, Detroit, Chicago and LA. Most recently, I attended the Moth’s standing room only event at Cliff Bell’s in Detroit. The theme: Winter. Here is how it goes: Everyone has a story right? Well, either you sit back and listen or you sign up for a chance to tell your real life, 5 minute story relating to the theme…sans notes… Continue reading
As I was browsing through the November/December issue of Departures magazine, a photograph leapt off the page. It was a Richard Avedon image of Dorian Leigh. I originally saw the photo at an Avedon Exhibition earlier this year and his work left an indelible imprint upon my memory. The article in Departures is about the auction at Christie’s Paris on Continue reading